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Christ Church in Ponte Vedra, Florida has created an arts school open to anyone in the community, offering at a nominal cost instrumental and vocal
Kinkade sold a great many of these feelings through some curious approaches to painting and a shrewd business distribution system. Critics easily dismissed his paintings as kitsch, poor art, or perhaps not even art at all. While I don’t really like Kinkade’s paintings, I believe it would be naïve to simply dismiss his work, to stop querying the deeper reasons for its mass appeal.
The Episcopal Café seeks to be an independent voice, reporting and reflecting on the Episcopal Church and the Anglican tradition. The Café is not a platform of advocacy, but it does aim to tell the story of the church from the perspective of Progressive Christianity. Our collective sympathy, as the Café, lies with the project of widening the circle of inclusion within the church and empowering all the baptized for the role to which they have been called as followers of Christ.
The opinions expressed at the Café are those of individual contributors, and, unless otherwise noted, should not be interpreted as official statements of a parish, diocese or other organization. The art and articles that appear here remain the property of their creators.
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