Mary: Her fiat is our fortune

Summer hours continue. Daily Episcopalian will publish every other day this week.

By Kathy Staudt

There was a lively two-part discussion a month or so ago on Episcopal Café about the Virgin Birth, whether and why we should or should not believe in Mary’s perpetual virginity, what doing so says about ideas about women, the role of the creeds, etc., -- and finding myself not really inclined to weigh in because I didn’t care that much about what seemed to be at stake. It may be that it’s a gender thing: one commentator in the fray did notice that not many women were weighing in on the whole question of Mary’s virginity or not, perpetual or temporary or whatever – and I have to admit that it doesn’t seem to be that important a question to me, at least in the terms in which it was being posed, as a question of doctrine).

But then the lectionary brought us, on August 16, to the observance of “The Feast of Mary the Virgin,” and I remembered reading the lessons and pondering the whole story in Luke, that I really like this part of the story, and find it “makes sense of things” in my faith the way that profoundly true stories do, and in a way that make quarrels like the one about the nature & duration of Mary’s physical virginity (or not) seem beside the point, for me. I think this reaction comes out of my instincts as a reader of great imaginative literature and my vocation as a poet. My own reading of the story of the Annunciation, in particular, has been shaped by the way that a number of 20th century poets, male and female, have read that story – seeing it as a story about how the Incarnation happened, and about miraculous and world-changing cooperation between a human being and God. And also in how the story is told in Scripture – especially in Luke’s gospel.

The story in Luke, skillfully put together, begins with a familiar pattern that we know from Hebrew Scripture: A barren woman, Elizabeth, finds that she is with child, in her old age. This tells us that we are reading a story that is in a continuous tradition with stories of God’s grace and favor to those who are marginalized So, in Luke, we start with the story of a barren woman conceiving, just when everyone thought God had stopped acting. The father, Zechariah, doesn’t believe the angel’s promise, and he’s struck dumb until that promise is fulfilled. So we have a story about the usual way that God’s promise works in the lives of the people. (To me it misses the point to say that this business of God blessing barren women overvalues childbearing as a sign of female worth: the stories have been abused in this way, certainly, but that’s not what it’s about in Hebrew Scripture. Rather, in a story about the survival of God’s people, both naturally and spiritually, the whole barren-woman-made-mother motif is about the one who was rejected being blessed and made whole and honored by God. When his motif turns up, it’s a signal that God is working in this part of the story: NOT a normative statement about how a society should be organized).

Anyway – we get the story of Elizabeth, and a famliar motif to anyone who knows Hebrew Scripture: and then the stakes are raised.

Side by side with this story, we have the story of Mary, encountering the angel Gabriel with the extraordinary news that she will bear a child. This is extraordinary because she is a virgin/has no husband/has not known a man (pick your translation). Her status as a virgin means that she still “owns” her own body – she doesn’t belong to any man, so in that sense she is free to respond to God’s request. Now, Luke’s Greek readers were used to stories of human women conceiving by gods (the rape of Leda, by Zeus disguised as a swan, comes to mind) – but in those stories it usually happens without the woman’s consent. So you could say it’s a motif familiar to the Greeks, but here it’s told in a very Hebrew way – where the body matters. The story has to be told this way, and it works. (the issues of female purity that the tradition has brought to the reading do not seem to me to be IN the story here.) Mary doesn’t question the promise; she just wonders about the logistics: “How can this be, as I am a virgin?” In that, Luke’s telling of the story contrasts her with Zechariah, who asked for proof, and was silenced for doing so. Mary just wants to know what will happen to her, which seems to be a fair question, and the angel gives her an answer. And Mary gives her consent. That is the heart of the story.

And we know, in the story that follows – written for its audience of Greeks and Jews – that in a wonderfully earthy, Hebrew way, this Jesus whom we read about, empowered by the Holy Spirit, is actually “the Son of God” born of a woman, in the flesh. (I’ve always appreciated, in fact, the human homeliness of the Church’s wisdom in appointing March 25 as Feast of the Annuciation – 9 months before December 25, which was settled on as the Feast of the Nativity.) Aesthetically, imaginatively, theologically, and spiritually, the story “works” this way, and challenges us to consider at every turn that the Jesus we meet here is the hero of a story about how God is active (and now incarnate) in human affairs, both within and beyond Israel. He is God-with-us and “one of us” in a way that is really almost shocking, if you think about it. The story insists that we think about it.

The poet David Jones, writing in the mid-twentieth century and re-telling this story in the context of salvation history, offers a reading of it that has shaped my thinking about both Annunciation and Incarnation (and in Jones it’s all connected to the Eucharist – but that’s probably for another post). Anyway, at one point in his long poem The Anathemata, the narrative voice the poem calculates the date of the Passion by looking back to the Annunciation:

Thirty four years and twenty-one days
since that germinal March
and terminal day
(no drought that year)
since his Leda
said to his messenger . . .
(his bright talaria on)
fiat mihi
(p. 189)


In the poet’s retelling of the story, Mary is God’s “Leda” (the woman in Greek mythology raped by Zeus, in the guise of a swan), but this event is not a rape: Mary’s consent is the important thing: she says “fiat mihi”: “let it be to me according to your word” (Luke 1:38). Elsewhere in Jones’s long poem a lively female narrator says of Mary “ her fiat is our fortune” (p. 128) -- and in a note to this passage Jones acknowledges being inspired by the doctrine that “The Eternally Begotten could not have become begotten on a creature except by a creature’s pliant will” (Ana p. 128). In both poem and commentary, Jones, a Roman Catholic, is emphasizing an aspect of the cult of Mary more familiar in the eastern church, where Mary is celebrated as the human “God-bearer,” the Theotokos.

In this strain of the Christian tradition it’s not really about whether she’s a virgin or not,: it’s about her humanity, which happens to be a female humanity, and needs to be, for God’s purposes in this part of the story: it’s about a free human being consenting to be fully used, body and soul, for God’s purposes. “Her fiat is our fortune.” The poet puts it well. This is the kind of insight that has shaped my habit of going to the poets for insight into the deep spiritual and theological questions that challenge us, both in doctrine and in Scripture.

Dr. Kathleen Henderson Staudt keeps the blog poetproph, works as a teacher, poet, spiritual director and retreat leader in the Washington DC area. She is the author of two books: At the Turn of a Civilisation: David Jones and Modern Poetics and Annunciations: Poems out of Scripture.

Comments (18)

Kathy,

I like this piece a lot. I think it has a feminist slant that coheres well with Derek's attempt to retrieve perpetual virginity without implying agreement. Perhaps by refocusing on poetic readings of the annunciation, as well as the Lukan nativity narratives, we can refocus our energy on Mary's free cooperation as the Godbearer.

Kathy,

Thank God for poetry! Your piece moves me. It takes us back to a more Biblical sense of miracle - where all that we see or touch or feel is miraculous, all held in life by God.

By focusing on the profound theological importance Mary's consent it takes us to a more graceful kind of 'necessity' than the constraints of a first century understanding of conception and biology really affords us.

On David Jones' and your focus on God needing Mary's willingness, I'm reminded of the distinction Gerry May makes in "Will and Spirit, a Contemplative Psychology" between willfulness (where grace can only overwhelm us) and willingness (that welcomes grace in freedom).

Theotokos and even the awed reflection of what it means to mother God incarnate (not just conceive and bear but raise a child and shape the child's character) seems truly fertile territory to me.

I think I mentioned in response to the previous posting that Geza Vermes in 'Jesus the Jew' documents first century rabbinic reflection on 'virgin birth' that was conception by an apparently pre-menstrual very young bride. Intriguingly that 'miracle' fits a more Jewish and Biblical sense that the extraordinary need not be 'supernatural' and that all life is miracle and by God's act.

So I'm very glad to see possibilities of opening up a richer theological reflection through poetry and prayer. And in 'miracle,' I think your emphasis here delivers us from the weird cunundrum of wondering whether we're doctrinally committed to Aristotle's biology (generative seed from the father alone and receptive vessel in the mother) that 'needs' God to be the father instead of an ordinary man, or whether, in more contemporary biology, 'miracle' means we're supposed to celebrate a parthenogenesis that produces a male child when what we know is at least theoretically possible physically or biologically is a 'virgin birth' where the offspring is genetically identical to the mother.

Somehow we've got to cut through the nature vs. supernature construct. Somehow we've got to get beyond the Hellenic idealism that's ashamed of spirit in body and regards sex as unworthy of spiritual beings. Somehow we've got to get beyond the Hebrew fear of women, body fluids, 'purity,' and blood. I think you're showing us a good path here. Again, thanks.

Poetry - yes - a most wonderful way of interpretation. One of my Daily Office ways of "hearing" the word - is to read it = focus on a phrase that sticks in my mind and play with it poetically -- always more comes out than I knew was there.

Donald,

There's nothing wrong with the distinction between natural and supernatural, so long as we stict to the true Thomistic distinction. The problem is extrinsecism. I also think that Aristotelian hylomorphism, though not his biology or theory of gender, points us in a non-dualistic direction, similar to what you are getting from a more biblical anthropology.

Bill,

I'd be glad (and am very willing) to hear the grace you find in the way St. Thomas makes distinction between nature and supernature, and I certainly recognize that intellectual and theological pioneers can't be judged on the basis of what people centuries later do with their thought-
but
I think we're in an intellectual bind. The God who shows up in the Hitchins-Dawkins conversation is a Supreme Being at the pinnacle of a continuum of being and their understanding of science and nature seems to be that theology assigns broad, planful agency to the realm of science while reserving a right of particular divine exceptions to this imagined God's own laws. The first thing that goes in this construct is the miracle of ordinary life, the ground for gratitude and wonder in the moment. A modern listener seems to assume that the psalmist's 'I am wonderfully and fearfully made' reflects simple ignorance of biological discoveries and the wonders of science.

It's intriguing to me that more physicists and astro-physicists are inclined to express wonder (and even faith) than biologists. 'Nature' lives somehow in day to day conversation as another God and 'the supernatural' as an imagined God acting against Nature.

Kathy's piece opens up opportunities in our moment for a different conversation. I'm grateful for that. And I also hear in her invocation of the wisdom of poetry that we're not glibly retreating to metaphor, another modernist reduction, I think, of a more Biblical means of experiencing and interpreting story and text. I expect you might agree with me that, "We really mean it all metaphorically" strips us of liturgical and theological means of acknowledging real encounter with a holiness which is genuinely and utterly other. "Symbol" is a word that's more deeply rooted in the tradition, and I love it that in Greek it's also the word to describe the roiling convergence of two rivers. We're looking for collisions of realities, moments when what we know and what we don't know are inextricable. That's what poetry offers and prosaic invocation of metaphor does not.

And like you again, I think, what I'm hearing in Kathy's sketch of all this is that we're verging toward the grace where whole of what IS has begun to reverberate and sing with the presence of the unknowable That and Whom beyond and other than any being.

I resonate with what you are saying here, Donald. I think that Kathryn Tanner's retrieval of the distinction in Thomas and others (denys, proclus) between primary and secondary causes is helpful. Tillich makes a related distinction between beings and Being itself.

I would want to insist that God quoad se is supremely knowable but that quoad nos God is strictly incomprehensible and not really knowable either.

No serious theologian has ever thought of God as an especially powerful creature.

The annunciation is ultimately a rather poetic way about talking about grace and freedom, or operative and cooperative grace, which are two ways of describing the one action of the Holy Spirit, which is at once really and truly our own.

God's action funds our own without being in competition with it.

Because our ordinary experience is with beings that are at leaswt potential competitors, we need symbolic, analogical language. I think there is real cognitive content hidden in the midst of a greater dissimilarity, but to speak of God is to stretch our language to the breaking point.

God is ipsum esse subsistens.

Thanks for this beautiful post, Kathy. Reading it, I was reminded of the viewpoint of Fr Tissa Balasuriya, who says that Mary was the first Christian priest because, through the way Jesus was conceived, only she could have stood at the foot of the Cross and said, "This is my body, this is my blood".

Gerry Dorrian

Sorry - I've done it again! The comment about Fr Balasuriya was by Gerry Dorrian.

But it IS all metaphor as we cannot grasp reality without it. What I call the basic pronounal character of all words.

Bill,

I'm doing a little Thomas reading to follow up on what you've written, specifically trying to bridge between Thomas and the Eastern tradition of the unknowability of God (and of our human essence since we're in God's image).

Kathy,

I'll have to pursue the source for this, but think you'd be fascinated and probably delighted to learn that Christmas is December 25th because the Annunciation (actually the older feast) is March 25th. The early church calculated that March 25th was the date of the first Good Friday and deliberately (knowingly and arbitrarily - - - or is it poetically) set the Annunciation on the same day.

Ann,

My problem with most of our talk of metaphor is that it hides the reality of what's actually there. Liturgically, for example, the metaphors of 'moving the people' or 'touching the people' replace what we're actually doing.

God coming to dwell with us actually (not metaphorically) says something about dwelling and about us that disappears when we're just saying one word or image is standing in for another. I don't know another word besides 'symbol' (and it's an archaic use of it) that actually keeps us considering the collision of otherwise distinct realities.

Don - I AM delighted if Christmas is Dec 25 because of the annunciation -- and I like Bill's language about operative and cooperative grace in speaking of the Annunciation. I think what poets do is push the implications of the symbol/metaphor -- not only to claim but to imagine God "made flesh" as a child born of a woman: and if you look at it from a more feminine point of view - i.e through the lens of people who have actually borne children -- there is this amazing mix of mystery and "of course-ness" about it: of course, if the God we know from Hebrew Scripture was going to do this, it would involve a woman actually giving birth: that's just how the story has to go.

Anyway - I appreciate all these comments -- I may do another post soon on poetry and theology -- two ways of approaching reality that are really inseparable, for me.

Retrieval of forms of discourse like narrative, poetry, and metaphor are definitely on the agenda for theology. David Tracy's The Anaological Imagination is now nearly 30 years old. The title is evocative of a series of thoughts about the role of images/phantasms in the Thomistic account of understanding, particularly in the intellectualist version of that theory put forward by Tracy's great teacher Bernard Lonergan. But Tracy is also in dialog with a whole bunch of other works, from Kant's third critique to the hermeneutical theories of Gadamer and Ricoeur. The issue raised by Tracy of the public claim to a work of art and of the classic.

Might profitably inform the kind of work Kathy is doing. I myself prefer immersion in the symbolic world of the scriptures and the liturgy as source and framework for our theological reflection. Poetry helps us unpack some of the deep resonances of that world, as well as resonances outside the text, which we should expect to be there since God is the source of all Truth from whatever sort. I see the project of great Christian poets as akin to the monastic theology which LeClercq describes.

Kathy - yes - keep writing on poetry and theology - it is what speaks to me of the Holy shot through our lives, burning bushes and all that. Donald - I think I have a broader definition of metaphor - probably from doing EfM where we are not very fixed in the technical definition - more sliding around through image, symbol, metaphor. It is more a sense of something that carries the meaning between and among us.

Ann,

I'm intrigued at this and find it a useful reminder of how context and mode shape our theological language and conversations -

"I think I have a broader definition of metaphor - probably from doing EfM where we are not very fixed in the technical definition - more sliding around through image, symbol, metaphor. It is more a sense of something that carries the meaning between and among us."

And part of what it clarifies for me is that I'm concerned about another way 'poetic' or 'metaphorical' gets used in some conversations to suggest 'just a figure of speech' or 'not real.' I'm guessing that some very productive 'sliding around through image, symbol, metaphor' can happen while holding a binary 'real or metaphorical,' 'true or metaphorical' conversation at bay.

And as I hear it that's useful because there's some important middle ground where what's so 'is' and/or 'is metaphor' in varying degrees or along some kind of spectrum. So sometimes our faith is a comforting way of looking at the world and sometimes it's a means of engaging mystery and the wild Energy of creation or love, and sometimes it's somewhere in between.

Yes Donald - mystery is a big part of faith for me -though to encounter it sometimes takes the day by day steps of dailyness.

Ann - thanks for this -- & Don. Flannery O'Connor once said of the Eucharist "If it's 'only a metaphor' then to hell with it." And yet clearly she was aware of depth of mystery and the need for symbol, imagination, metaphor, story. I think a lot of my reflection about this, way back, was formed by Paul Ricoeur, whose book was translated the "rule of metaphor" -- with "rule" in the sense of a monastic rule or way of life-- you understand sacred reality through the lens of imagination, analogy, connection -- and that opens up truth. This is probably not a good summary of Ricoeur's argument but it summarizes what I've learned from him and what has come into my own practice as a poet-- and also -- again 'way back -- David Tracy and "The Analogical Imagination". But most alive for me are the insights of the poets and my own experience, as a poet, of having words open up new insight into Reality (T.S. Eliot's word: as in "humankind/cannot bear too much reality.")

David Jones says we are by nature "sign-makers" -- we hold things up and say "this 'is' something other." So there's an analogy to our creative work and the sign-making that Christ engaged in in instituting the Eucharist, and in the meaning that comes through the whole story of salvation-history. The day-by-day steps of simply being awake and alive to what is are an important way into this because we are always "making signs" - seeing connections-- living in the story.

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